How I Created and Exhibited a New Body of Work
My surreal painting journey began in 2021, and one of the greatest gifts of that period was the absence of deadlines. Without the pressure of time, I could focus on developing my technique, building confidence, and allowing my work to grow organically.
Early on, Lesley Samms of the Pure Arts Group encouraged me to aim for at least 20 pieces for a solo launch exhibition. Having that goal in mind gave my practice a sense of direction without stifling creativity. By April 2025, when the exhibition came to life, I had produced 26 surreal oil paintings and two Indian ink and watercolour drawings to choose from.
Choosing the Right Space
After plenty of discussion and research, we selected the Roche Gallery in Rye. It was close to my home—important for friends, family, and my trusty dog—and its back gallery, with beautifully muted green walls, complemented my work perfectly. The front gallery showcased other Pure Arts Group members, which meant I wasn’t alone for the two weeks. This shared approach not only helped keep costs down and stewarding manageable but also offered visitors a wider variety of artwork to enjoy.
The Practicalities (and Surprises) of Exhibition Prep
Delivering the artwork turned out to be more challenging than expected. With limited parking and a bustling market day in full swing, unloading became a logistical puzzle. Lesson learned: for future shows in Rye, avoid delivery days that clash with the market. Fortunately, making two trips the evening before was far easier and much less stressful.
The Private View
The private view was wonderfully well attended, with a steady stream of visitors bringing energy and enthusiasm. Lesley’s excellent article in the local newspaper gave the show an extra boost—people were arriving as early as 9 a.m., newspaper in hand, eager to see the work they’d read about.
Rye & Battle Observer article
The art of imagination: A new collection of oil paintings by Vincent Matthews
For someone who had spent four years creating in the solitude of my studio, the feedback was deeply rewarding. Younger adults called my paintings “cool,” while others described them as “joyful.” One of my favourite moments was taking my dog into the gallery. Children adored him, and a little girl visiting with her dad was thrilled to spot his portrait—he rewarded her excitement with a kiss.
Denby & Vincent in the Gallery
What Came Next
This exhibition didn’t just showcase my work; it opened new doors. As a direct result, I received an unusual and exciting commission that I can’t wait to share more about in the future.
For a deeper dive into my surreal journey, you can explore my journals on my website, where the entire process is documented in detail.